The Church At Auvers By Van Gogh Framed Print

STRETCHED CANVAS

All stretched, Floating framed art prints & Framed paper prints arrive ready to hang. Our stretcher bars are FSC Certified, sourced from sustainable forests, and come ready to hang. They include rubber bumpers to protect your wall surface and keep the print perfectly straight. Our stretched canvas prints are on premium polycotton artist canvas ( 407 GSM) and printed with archival quality inks. Our prints are fade & scratch resistant and finish is of museum-quality.

FLOATING FRAMES
We also provide the choice to include a floating frames into your canvas art print. It differ slightly from a regular framed print since the actual canvas is, in fact, placed inside the specific box frame with a 5mm margin of space, which contributes to the elegant shadow under the frame.
 
ROLLED CANVAS ART
We also provide you with an avenue to get the art print in canvas without the frame so that you can frame it in any manner that you desire. Just like our stretched and floating framed canvases, our rolled canvas prints are commercially printed on thick and smooth museum quality premium polycotton canvas.

Best Quality Guaranteed ✅ Our canvas prints (407 GSM) are designed for durability, maintaining their aesthetic appeal and offering lifelong value for money. Our canvas prints are scratch, crack, & warp resistant. We use UL Certified Greenguard Gold Ink ( eco-friendly for healthier indoor environments) also ensuring water resistance, fade resistance, and anti-yellowing properties .

Our canvas paintings are 100% hand-painted by our skilled artists. For custom sizes or commissioned artwork, please contact us via live chat or email.

The Church at Auvers is an oil painting by Dutch post-impressionist master Vincent van Gogh currently on display at the Musée d'Orsay in Paris, France. It was completed in June 1890. The Church at Auvers is reminiscent of scenes from his Nuenen period, as are other canvases like The Town Hall at Auvers and sketches of little buildings with thatched roofs. In his final weeks in Saint-Rémy-de-Provence, a certain nostalgia for the north was already evident. He wrote in a letter a few weeks before leaving, "While I was ill, I nevertheless did some little canvases from memory which you will see later, memories of the North,"